{"title":"New Arrivals","description":"\u003cstrong\u003eNew Additions, Restocks and New Preorders\u003c\/strong\u003e","products":[{"product_id":"cypress-hill-lp","title":"Cypress Hill (Red LP)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSD ON RED VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Cypress Hill came with their debut they made an immediate spark that captivated the Hip Hop audience, critics and then the world. Led by B-Real with his nasal, singsong delivery and Sen Dog to play the perfect hypeman, Cypress debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them the Production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned out beats. Records like How I Could Just Kill a Man, Pigs, Stoned is the Way of the Walk and Hand on the Pump made this album the instant classic that it is. 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After the smoke cleared and they hit the studio the Virginia brothers recorded the confidently mature sophomore effort, Hell Hath No Fury. Best known for their unconventional radio smash Grindin, Clipse are no strangers to taking risks with the boundary-pushing Neptunes, who return as trusted co-pilots for Hell Hath No Fury. As always the duo is right at home over The Neptunes crafted beats which perfectly embrace Pushas inventive drug-game metaphors and Malices soul-baring confessionals.\u003cbr\u003e\u003cbr\u003e From the bouncy lead single Mr. Me Too and the Slim Thug assisted Wamp Wamp to the oddly haunting Keys Open Doors to Momma Im Sorry, Hell Hath No Fury represents some of the duos best work. On the hypnotic Keys Open Doors, over the eerie mix of screwed-up angelic voices, chimes and congas, the brothers run circles around the competition, while the spine-tingling boom-bap of Ride Around Shining sets the stage for Pushas hilarious boasts. 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But as great as those two powerhouse singers were, Lyn Collins was the strongest hitmaker of that funky JB era.\u003cbr\u003e\u003cbr\u003eHer strong voice and commanding stage presence – which earned her the nicknames The Female Preacher and Mama Feelgood – quickly proved to be a potent addition to the People Records universe. In the spring of 1972 her second single, the driving and ridiculously funky Think (About It) hit the R\u0026amp;B music world like a ton of bricks. As fans young and old know, thanks to its timeless, relentless groove and powerful vocals, Think gained a powerful second life in the 1980s thanks to the hip-hop generation, fueling the platinum smash It Takes Two, by Rob Base \u0026amp; DJ E-Z Rock in 1988 and additionally sampled by dozens of hip-hop and dance music artists up to the present day.\u003cbr\u003e\u003cbr\u003eBut Collins was far from a One Hit Wonder: she was as vocally adept on ballads as she was with full-blown funk. She proves this throughout her debut album, which was released in 1972 on James Browns new People Records label – the imprint's second full-length release.\u003cbr\u003e\u003cbr\u003eTo wit, aside from the title smash: a powerful and emotional cover of Bill Withers Aint No Sunshine; the socially progressive Womens Lib; the Gamble \u0026amp; Huff-penned Never Gonna Give You Up (originally done by Jerry Butler); and even a daring, muscular take on the song Fly Me To The Moon, made famous by, among others, Frank Sinatra.\u003cbr\u003e\u003cbr\u003eAll throughout Think (About It), Collins shows that she was a vocal force to be reckoned with. Backed by a James Brown assembled musical crew that included Pee Wee Ellis, Fred Wesley and, of course, James Brown himself, the platter was bound to impress and succeed. And that it did.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1        Think (About It)\u003cbr\u003eA2        Just Won't Do Right\u003cbr\u003eA3        Wheels Of Life\u003cbr\u003eA4        Ain't No Sunshine\u003cbr\u003eA5        Things Got To Get Better\u003cbr\u003eB1        Never Gonna Give You Up\u003cbr\u003eB2        Reach Out For Me\u003cbr\u003eB3        Women's Lib\u003cbr\u003eB4        Fly Me To The Moon\u003c\/p\u003e","brand":"Lyn Collins","offers":[{"title":"Default Title","offer_id":1733563580431,"sku":"ZZ-GET54071-LP","price":22.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/files\/CopyofOmerta.png?v=1720459555"},{"product_id":"czarface-2-lp","title":"Czarface (2xLP)","description":"\u003ch3 style=\"text-align: center;\"\u003e\u003cstrong\u003eCZARFACE DEBUT ALBUM\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cbr\u003e In music, timing is everything. When soon-to-be-renowned Boston hip-hop duo \u003cstrong\u003e7L \u0026amp; Esoteric\u003c\/strong\u003e collaborated with the \u003cstrong\u003eWu-Tang Clan's\u003c\/strong\u003e \u003cstrong\u003eInspectah Deck\u003c\/strong\u003e on the title track to 7LESs debut EP \u003cem\u003eSpeaking Real Words\u003c\/em\u003e in 1999, the timing was perfect. The upstart duo was building a serious buzz on the East Coast and beyond, while Deck was still winning praise for his gold-selling solo disc Uncontrolled Substance. As flashy pop-oriented rap was pumped on commercial radio stations, their natural chemistry and simpatico skills shone as a beacon to real hip-hop fans, a base of listeners who were soon asking about their next musical summit. 14 years later, the hunger for sharp lyrics and head-snapping beats hasn't dissipated. In the face of the ever-worsening status quo of watered-down and vapid radio rap songs, the call for something real has only gotten stronger, and once again the time is right for a call to action – for someone or something to come in and send wack rappers running for the hills in fear. Enter CZARFACE, the upcoming, uncompromising full-length album from Inspectah Deck and 7L \u0026amp; Esoteric. Not surprising, respect for real hip-hop runs deep, and CZARFACE brings an army with it - consider the star-studded guest list which includes \u003cstrong\u003eRoc Marciano, Action Bronson, Vinnie Paz (Jedi Mind Tricks,)Oh No (Gangrene,) Mr. MFN eXquire\u003c\/strong\u003e and Decks fellow Wu-Tang Clansmen \u003cstrong\u003eGhostface Killah\u003c\/strong\u003e and \u003cstrong\u003eCappadonna.\u003c\/strong\u003e Aside from one track blessed by the almighty \u003cstrong\u003eDJ Premier\u003c\/strong\u003e, production on CZARFACE belongs exclusively to DJ 7L, who provides the musical backbone which holds the album together. His ability to craft a hip-hop sound that's current and exciting with a classic feel left Deck impressed:\u003cbr\u003e\u003cbr\u003e \u003cem\u003eThis is one of the first albums I've heard in a while that gives you so many different feels. You hear the 80s hip-hop style, 80s R\u0026amp;B and rock combined with what's going on now. 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The same year saw Camp Lo opening shows for De La Soul during their Stakes is High tour. Combine that with the fact that Ish aka Butterfly from Digable Planets had cosigned for the group's reputation and would appear on of the tracks (in addition to Trugoy from De La), there became a huge buzz around their debut album Uptown Saturday Night. Fast forward a few months to January 1997 and the heavily anticipated release of Camp Los's first record, which did not disappoint. It struck the perfect balance between club tracks and underground bangers for the mixtape crowd.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e Critically acclaimed and fan approved, this late 90s must-have was complimented by the incredible cover art illustrated by legendary NYC graffiti artist Dr. Revolt that paid homage to Marvin Gayes 1976 classic I Want You. Its hard to believe in the time of Puffys heyday, Camp Lo had developed and delivered a style of Hip Hop that was not only fresh and creative but also straight-up dope. Flipping intricate rhyme styles over some of Raps finer beats, the fact that Camp Lo got main stream radio play and love from big time club DJs is a testament to the essence of what Hip Hop was once about: raw talent and originality! 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The oft referred \"Purple Tape\", has been cited and debated by many as the greatest Wu-Tang solo project to date and remains a bullet point in any discussion involving the greatest \"Cocaine Rap\" or \"Street Hop\" albums of all time.\u003cbr\u003e\u003cbr\u003eRaekwon's narrative plays out like a movie script from the violent, drug fueled, underbelly of New York City's criminal landscape, intricately woven over instrumentals from the legendary mastermind behind the Wu-Tang Clan, The RZA. Even the album's main feature \"Tony Starks aka Ghostface Killer\", referred to as such rather described as a \"guest star\" appearing on 12 of the albums 18 tracks. It should be noted that while the Only Built 4 Cuban Linx did produce a string of successful singles, such as \"Ice Cream\", \"Incarcerated Scarfaces\", and \"Criminology\", like all classic cinema, the album was intentionally engineered to be appreciated in one sitting, played from beginning to end.\u003cbr\u003e\u003cbr\u003eIn continuing with it's proud tradition of honoring historically significant hip hop albums, Get On Down is honored to present Raekwon's \"Only Built 4 Cuban Linx\", back on double translucent purple vinyl. This edition features for the first time ever on vinyl, the formerly CD only bonus track, \"North Star (Jewels)\". And if that wasn't enough, the entire album also features completely enhanced and painstakingly remastered audio. This is the definitive must-own vinyl edition of Raekwon’s masterpiece. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Striving For Perfection\u003cbr\u003eA2 Knuckleheadz\u003cbr\u003eA3 Knowledge God\u003cbr\u003eA4 Criminology\u003cbr\u003eA5 Incarcerated Scarfaces\u003cbr\u003eB1 Rainy Dayz\u003cbr\u003eB2 Guillotine (Swordz)\u003cbr\u003eB3 Can It Be All So Simple (Remix)\u003cbr\u003eC1 Shark Niggas (Biters)\u003cbr\u003eC2 Ice Water\u003cbr\u003eC3 Glaciers Of Ice\u003cbr\u003eC4 Verbal Intercourse\u003cbr\u003eC5 Wisdom Body\u003cbr\u003eD1 Spot Rusherz\u003cbr\u003eD2 Ice Cream\u003cbr\u003eD3 Wu-Gambinos\u003cbr\u003eD4 Heaven \u0026amp; Hell\u003cbr\u003eD5 North Star (Jewels)\u003c\/p\u003e\n\u003cp\u003e*please note: due to variants in the compound used in making records, the purple color may be lighter or darker than pictured here.\u003c\/p\u003e","brand":"Raekwon","offers":[{"title":"Default Title","offer_id":1733585534991,"sku":"ZZ-GET51295-LP","price":36.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/RAE_OnlyBuilt4CubanLinx.jpg?v=1588642490"},{"product_id":"ridin-dirty-2-lp-clear-vinyl","title":"Ridin' Dirty (Clear 2xLP)","description":"\u003cp\u003e\u003cstrong\u003ePRESSED ON CLEAR VINYL IN A GATEFOLD JACKET WITH LYRICS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBun B and Pimp C (R.I.P.) have long been legends in the rap game, deservedly calling themselves Underground Kingz. At a time when Southern Rap had to fight its way for respect, U.G.K kept cranking out albums that would soon solidify them as rap royalty. With Ridin Dirty, their third album, Bun B and Pimp C had reached an apex, making an album that was just an instant classic. It has everything that people have come to expect from Houston rap: candy-painted cars, wood-grained steering wheels, flashy jewelry, late-night odes to lean and weed, passing references to DJ Screw tapes, those warm funk synthesizers that sound like radio oldies.\u003cbr\u003e \u003cbr\u003e Produced mainly by Pimp C, Ridin Dirty has impeccable usage of Funk, Soul and Gospel samples. Songs like One Day, Murder, Hi Life and of course the title track all stand out as of their best work. 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They walked a tightrope between underground and mainstream hip-hop, and toured alongside rap peers as well as punk rockers on the Vans Warped Tour.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e With double the pleasure of your average hip-hop group – two DJs and producers (Cut Chemist and DJ Nu-Mark); and four MCs (Chali 2na, Akil, Marc 7 and Zaakir aka Soup) – they brought the late 1970s unison MC style of pioneering groups like the Fantastic 5 and the Force MCs to a new generation. Even more surprisingly, they did so out of Los Angeles, whose hip-hop flavors generally leaned towards Gangsta, G-Funk or Electro lines. Musically inventive and lyrically forward-thinking, each song on Quality Control is a new adventure, exploring engaging territory, delivered via one of the best live hip-hop shows fans had seen in years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e From singles like the strutting groove of the title track to the throwback doo-wop samples on The Influence and the catchy, keyboard groove-driven World of Entertainment (WOE Is Me), to deeper album tracks like the lyrical gymnastics of Jurass Finish First and the thought-provoking Lausd, Jurassic 5 consistently stepped to the plate and their fans responded in kind, nearly pushing the album to Gold status. 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Sermonizing Black Nationalism, Pan-Africanism and the benefits of a healthy and just lifestyle during the height of the Bad Boy \/ Roc-A-Fella era of nihilistic excess in the late 90s, they also signed to a major label (Loud \/ Columbia) despite leaning much more towards the burgeoning indie aesthetics of the day. But this was a good thing – using major label muscle to wake up righteous hip-hop fans who might have fallen asleep at the wheel.\u003cbr\u003e \u003cbr\u003e The group itself – consisting of MCs stic.man and M-1, who produced or co-produced most of the duo's music – was formed in Tallahassee, Florida in the early 1990s (M-1 originally hailed from Brooklyn). By later that decade, the duo had started making significant waves, having their music heard on the soundtracks to Soul In The Hole and Slam, as well as appearing on albums by Big Pun and The Beatnuts.\u003cbr\u003e \u003cbr\u003e By 1998, they released their first official single, the serious, stark Police State, on Loud, appropriately brought to the label by Lord Jamar of Brand Nubian. After building a solid rep over the next two years with fiery live performances, in 2000 they unleashed their debut album, Let's Get Free. The album was a welcome return to provocative and often radically political rhetoric that hearkened back to hip-hop forebears including The Coup, Public Enemy and KRS-One (as well as poetic descendants like the Last Poets and Watts Prophets).\u003cbr\u003e \u003cbr\u003e Let's Get Free was critically acclaimed and benefited from multiple singles, including the infectious, thick analog drive of Hip-Hop (which became the de facto theme song for Chappelle's Show); Its Bigger Than Hip-Hop, with a remix co-produced by a young Kanye West; Mind Sex (with Abiodun Oyewole of the Last Poets), and the poignant Im An African. But the singles weren't the only worthy songs, as just about every cut here has deeper meaning than most full albums by their early 2000s peers. Highlights: the thought-provoking, anti-drug album opener Wolves; We Want Freedom (co-produced by frequent collaborator Hedrush); They Schools and Propaganda (co-produced by Lord Jamar, one of five songs he assisted on).\u003cbr\u003e \u003cbr\u003e All in all, this is one of the more underrated and possibly Top 5 fully-realized political hip-hop albums of all time. 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The brief glimpses of ODBs unhinged genius provided by Wu-Tang Clans landmark Enter the Wu-Tang album two years earlier were begging to be expanded on to a larger canvas, and, with RZA guiding production, the album promised to give Dirty the creative license to make one of the most bizarre, entertaining and original LPs in hip-hop history. With his raspy, drunken flow and dark sense of humor, Dirty fearlessly attacks from all angles, throwing himself fearlessly into punchy rhyme attacks (Damage, with GZA), drugged-out party jams (the monster singles Brooklyn Zoo and Shimmy Shimmy Ya) and bizarre, grimly hilarious fantasies of sex and violence (Dont U Know and the R\u0026amp;B-tinged Sweet Sugar Pie). \u003cbr\u003e \u003cbr\u003e Backed by RZAs appropriately gritty, dissonant beats and appearances from the Clan, Return became an instant hit, selling over 1 million copies and earning a Grammy nomination for Best Rap Album in 1996. The album stands as a high water mark in the Wu-Tang Clans collective creative output and was selected as one of the Best 100 Rap Albums by The Source magazine in 1998.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn honoring the legacy of one of hip-hops most innovative releases, Get On Down is proud to present Ol Dirty Bastards Return to the 36 Chambers as a double LP which contains the complete original album, remastered for optimal sound quality.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Intro \u003cbr\u003eA2 Shimmy Shimmy Ya \u003cbr\u003eA3 Baby C'mon \u003cbr\u003eA4 Brooklyn Zoo \u003cbr\u003eB5 Hippa To Da Hoppa \u003cbr\u003eB6 Raw Hide \u003cbr\u003eB7 Damage \u003cbr\u003eB8 Don't U Know \u003cbr\u003eC9 The Stomp \u003cbr\u003eC10 Goin' Down \u003cbr\u003eC11 Drunk Game (Sweet Sugar Pie) \u003cbr\u003eC12 Snakes \u003cbr\u003eD13 Brooklyn Zoo II (Tiger Crane) \u003cbr\u003eD14 Proteck Ya Neck II The Zoo \u003cbr\u003eD15 Cuttin' Headz\u003c\/p\u003e","brand":"Ol Dirty Bastard","offers":[{"title":"Default Title","offer_id":1733633409039,"sku":"ZZ-GET52716-LP","price":34.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/ODB.jpg?v=1567819290"},{"product_id":"mecca-and-the-soul-brother-2-cd-boxset","title":"Mecca And The Soul Brother (2xCD Boxset)","description":"This 2 Cd Boxset contains the original full length album, plus bonus versions \u0026amp; exclusives, 20 page book with liner notes with Pete Rock \u0026amp; CL Smooth and a full sized poster!\u003cbr\u003e \u003cbr\u003e Get On Down proudly present Mecca And The Soul Brother, the critically acclaimed 1992 full-length debut from Pete Rock \u0026amp; CL Smooth. The album is considered as one of the greatest Hip Hop albums of all time. Boasting tracks such as the first single, They Reminisce Over You (T.R.O.Y.), a dedication to their deceased friend; Trouble T-Roy, which went on to become not only their signature hit, but also one of Hip Hops all-time great songs. Other classics from the album such as Straighten It Out, Skinz (Featuring Grand Puba), For Petes Sake, Soul Brother #1 and the posse cut The Basement (Featuring Heavy D, Rob O, Dida \u0026amp; Grap Lover) all showcase Meccas.. amazing versatility. The album is propelled forward by Rocks quick, soulful interludes; usually bits of old R\u0026amp;B tunes layered with his signature trumpet and sax loops. \u003cbr\u003e \u003cbr\u003e The first disc features the original 16 album tracks, remastered from the original masters recordings. The second disc contains 15 remixes, Instrumentals, bonus versions and exclusives. Tracks such as Its Not A Game \u0026amp; Instrumental, Lots Of Lovin(Remix) \u0026amp; Instrumental, Straighten It Out (Remix) \u0026amp; Instrumental, They Reminisce Over You (T.R.O.Y) (Remix) \u0026amp; Instrumental, The Basement (Instrumental), Ghettos Of The Mind (Acapella) plus many more! Both discs come housed in individual paste on style sleeves with brightly-colored printed dust sleeves along with indepth liner notes with Pete Rock and CL Smooth. All this plus a full sized poster to boot. This reissue of an early 90s classic is a must have for any music collector or fan of good music.","brand":"Pete Rock \u0026 CL Smooth","offers":[{"title":"Default Title","offer_id":1733649170447,"sku":"ZZ-TEG75515-CD","price":19.92,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/files\/PRCLMeccaCD.png?v=1714256759"},{"product_id":"93-til-infinity-2-lp","title":"93 til Infinity (2xLP)","description":"\u003cp\u003eConsisting of MCs A+, Phesto, Opio and Tajai (with production by A+, Domino, Del the Funky Homosapien, Jay Biz and Casual), East Oaklands Souls of Mischief burst onto the scene in the early 90s with an impact that few other West Coast artists had at the time. Culminating in the release of their classic debut, they created a bouillabaisse that was most parts West Coast swagger but – similar to The D.O.C. and Cypress Hill – with a sonic approach that could just as well have stepped off the streets of New York City.\u003cbr\u003e \u003cbr\u003e Recorded in less than two weeks at San Franciscos Hyde Street Studios, 93 til Infinity doesnt suffer from a single freshman jitter or misstep. Its a fully-realized effort, packed from start to finish with ridiculous lyricism – all carried out in impressive four-part, tag-team style – and backed by a wide range of musical possibilities, from hard boom-bap to 70s CTI-jazz-sprinkled grooves. But without worthy music, the groups high-level lyricism could have fallen by the wayside. Digging deep into crates that other producers had yet to mine, the production crew gave the quartet exactly what they needed, with unpredictable rolling basslines, dusty drums and jazz keyboard and horn stabs and swirls. Non-singles like Disseshowedo (produced by Domino and Jay Biz), Batting Practice (Casual), Limitations (Jay Biz, with Del and Casual contributing verses) and What A Way To Go Out (Domino) made sure that the fast-forward button remained untouched.\u003cbr\u003e \u003cbr\u003e No matter the angle from which you approach 93 til Infinity, back-in-the-day listeners and new fans will both find much to enjoy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1 Let 'Em Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Live And Let Live\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Thats When Ya Lost\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 A Name I Call Myself\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Disseshowedo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 What A Way To Go Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Never No More\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1 93 'Til Infinity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2 Limitations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3 Anything Can Happen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1 Make Your Mind Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2 Batting Practice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3 Tell Me Who Profits\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4 Outro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Souls of Mischief","offers":[{"title":"Default Title","offer_id":1733661982735,"sku":"ZZ-TEG78504-LP","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/SoulsofMischief_93til.jpg?v=1588658657"},{"product_id":"super-tight-2-lp-clear-vinyl","title":"Super Tight...(2xLP Clear Vinyl)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON CLEAR VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSuper Tight…\u003c\/em\u003eis the second album from Hip Hop legends UGK, originally released in 1994. The title of the album is taken from its stand out single Front, Back \u0026amp; Side to Side. Bun B and Pimp C (R.I.P.) were already on fire from their debut album a few years prior but they perfected the Southern Playa sound with this record. At the time of its release Super Tight… was only issued on Cassette and CD so its a must for fans and collectors to grab the vinyl now that its available for the very first time. \u003cbr\u003e \u003cbr\u003e The album kicks off with Return, which after a few snare hits and the bluster of Pimp Cs voice it is clear to the world - the underground kings are back. Countless tracks like Three Sixteens (featuring DJ DMD), Stoned Junkee, Its Supposed to Bubble, I Left It Wet for You and the previously mentioned Front, Back, \u0026amp; Side To Side all perfectly showcase the chemistry between Bun B \u0026amp; Pimp C over deep southern funk grooves. The production on this album is stellar, all bass heavy and features Meters lead guitarist Leo Nocentelli. Like their debut album Too Hard to Swallow Bun B and Pimp C were ahead of the game, and with Super Tight…they perfected it.\u003c\/p\u003e\n\u003cp\u003eA1. Return\u003cbr\u003eA2. Underground\u003cbr\u003eA3. It's Supposed To Bubble\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eB1. I Left It Wet For You\u003cbr\u003eB2. Feds In Town\u003cbr\u003eB3. Pocket Full Of Stones\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eC1. Front, Back \u0026amp; Side To Side\u003cbr\u003eC2. Protect \u0026amp; Serve\u003cbr\u003eC3. Stoned Junkee\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eD1. Pussy Got Me Dizzy\u003cbr\u003eD2. 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Its no exaggeration to say that the group changed the course of music in the 80s, bringing the old-school of rap into the new with one simple piece of flat, black plastic.\u003cbr\u003e\u003cbr\u003eComing up in the rap world of the early 1980s under the wing of Kurtis Blow (group manager Russell Simmons managed Blow, and Run was, at one time, a DJ known as Son of Kurtis Blow) and Blows bassist and burgeoning super-producer Larry Smith, the trio – Joseph Run Simmons, Darryl DMC McDaniels and Jason Jam Master Jay Mizell – learned from the best, but created their own path.\u003cbr\u003e\u003cbr\u003e1983 was the year that they first broke out. With only an Oberheim DMX drum program and some cuts by Jay, Sucker M.C.s (Krush-Groove 1) was a shot across the bow to the slick, post-disco pocket rap had settled into. It was raw, pure swagger and it took both New Yorkers and music aficionados around the world by storm. The songs lyrics are a mandatory memorization assignment to this day by MCs learning their craft. Two years ago, a friend of mine… \u003cbr\u003e\u003cbr\u003eThe groups sound, which was laid out muscularly on Run-DMC, had a harder approach than their peers, thanks to producer Larry Smiths use of live musicians who laid down grooves but didnt soften the edges. Lyrically the group wasnt just about brags either, with songs like Hard Times, Its Like That and Wake Up (the first two were singles). Runs and DMCs overlapping tag-team approach to lyricism was powerful and immensely influential.\u003cbr\u003e\u003cbr\u003eRock Box, another single and arguably the centerpiece of the album, was a nod to their hard edge, and a foreshadowing of their first worldwide smash, 1985s King Of Rock. Jam Master Jays DJ work was stellar, knowing exactly when to jump in and put listeners ears in a headlock. The album was the first rap full-length to achieve Gold status, and as fans know, the group was just getting started – their next two LPs would take them to even higher status in the music world, critically and sales-wise. But this is where it all started, and its a classic that still sounds fresh today as it did more than 30 years ago.\u003c\/p\u003e\n\u003cp\u003eTracklist:\u003c\/p\u003e\n\u003cp\u003eA1 Hard Times\u003cbr\u003eA2 Rock Box\u003cbr\u003eA3 Jam-Master Jay\u003cbr\u003eA4 Hollis Crew (Krush-Groove 2)\u003cbr\u003eA5 Sucker M.C.'s (Krush-Groove 1)\u003cbr\u003eB1 It's Like That\u003cbr\u003eB2 Wake Up\u003cbr\u003eB3 30 Days\u003cbr\u003eB4 Jay's Game\u003c\/p\u003e","brand":"Run-DMC","offers":[{"title":"Default Title","offer_id":1733684953103,"sku":"ZZ-GET51318-LP","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/RUN_DMC_RUN_DMC_00.jpg?v=1755118254"},{"product_id":"no-one-can-do-it-better-lp","title":"No One Can Do It Better (Colored LP w\/OBI)","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eGET ON DOWN EXCLUSIVE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON APPLE RED SMOKY COLORED VINYL WITH OBI \u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eLIMITED TO 1500 COPIES \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eGet On Down is proud to announce a vinyl reissue of one of the West Coast's most revered, yet underrated, hip-hop classics and quite possibly one of the best hip-hop albums of all time: The D.O.C.'s \u003cem\u003e\u003cstrong\u003eNo One Can Do It Better\u003c\/strong\u003e\u003c\/em\u003e.  Produced entirely by Dr. Dre and out of print on vinyl in the U.S. for several years, this limited edition colored LP features original album artwork and thirteen tracks of rap heaven. When his debut album hit in mid-1989, The D.O.C. was in the vortex of the biggest hip-hop happening on the planet: the rise and rule of N.W.A. The groups breakout album Straight Outta Compton had hit one year prior and had created both controversy and worldwide critical acclaim.\u003cbr\u003e \u003cbr\u003e As rap history buffs and industry insiders know, The D.O.C. was a crucial behind-the-scenes member of the N.W.A. inner circle – his most important role in the early days of the group, besides his close working relationship with Dr. Dre, was writing many of Eazy-E's rhymes, including his hit 1988 single We Want Eazy. He would go on to write for Efli4zaggin, The Chronic and Doggystyle. The D.O.C originally from Dallas, Texas started his career in the Fila Fresh Crew and was featured on N.W.A and The Posse. \u003cbr\u003e \u003cbr\u003e But The D.O.C. wasnt in N.W.A. and never wanted to be – he was his own man, with his own vision. And after Compton proceeded to blow up (much like Eazy's 1988 LP, Eazy-Duz-It), the next crew album was No One Can Do It Better. Significantly, it was the first album where Dr. Dre showed his greatness as a solo producer for one MC. And the Dallas-born D.O.C. lived up to the challenge of Dre's funky, expertly-produced tracks by bringing his A-game on the mic.\u003cbr\u003e \u003cbr\u003e Boasting four singles – The D.O.C. and the Doctor; Mind Blowin; the smash It's Funky Enough; and The Formula – the album is flawless from beginning to end. Of particular note beyond the singles is The Grand Finale, which was the last time that Ice Cube, M.C. Ren and Eazy-E would rhyme on a track together.\u003cbr\u003e \u003cbr\u003e Skillfully rhyming over both fast and slow tracks, The D.O.C. showed on this amazing record that he was one of hip-hops most talented MCs, especially on the West Coast scene. He nearly died in a horrific car crash as the album was catching fire in the late summer of 1989 which damaged his vocal cords, but he survived and continues to make new music and act as a sounding board for Dr. Dre to this day.  More recently a documentary covering D.O.C.'s life titled The DOC debuted at the Tribeca Film Festival last year with fans eagerly awaiting a wider release. This album is a must have for any Hip-Hop fan. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 It's Funky Enough\u003cbr\u003eA2 Mind Blowin' \u003cbr\u003eA3 Lend Me An Ear \u003cbr\u003eA4 Comm. 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A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the groups distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz \u0026amp; soul samples. Against the backdrop of Dillas rich production, T3 and Baatins free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. (A label they themselves have rejected.) Dilla himself went on to earn his own legend of brilliance, inspiring a slew of classic artists like Nas and The Pharcyde, to newcomers like Kanye West and Kendrick Lamar.\u003cbr\u003e\u003cbr\u003eIt would be a gratuitous task to encapsulate the full magnificence of the material Dilla produced with Slum Village, but NeAstra Media Group have accomplished such a feat, with the arrival of the Fan-Tas-Tic Collection! A comprehensive overview of the underground groups Dilla-produced tracks across four compact discs. The CD includes the entirety of the namesake albums Fan-Tas-Tic Volumes 1 \u0026amp; 2, instrumental versions, and a bonus fourth collection of remixes and obscurities, featuring collaborations with Madlib \u0026amp; Pete Rock, and select cuts from Best Kept Secret, the groups rare release under the name J-88.\u003cbr\u003e\u003cbr\u003eThe Fan-Tas-Tic Box is a veritable crown jewel for any fan of J Dilla or Slum Village, as well as an outstanding entry-point into the legacy of an underground hip-hop production hero.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e Disc 1 Fantastic Vol 1 \u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eFantastic 1\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eThis Beat (Keep It On)\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eI Don't Know\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eHow We Bullshit\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eFat Cat Song\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eThe Look Of Love\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eEstimate\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eHoc N Pucky\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eBeej N Dem\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003ePregnant (T3)\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eForth \u0026amp; Back (Rock Music)\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eFantastic 2 (Interlude)\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eFantastic 3 (Interlude)\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eThis Beat (Keep It On) (Remix)\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003e5 Ela remix\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003eGive This Nigga\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003ePlayers\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003eLook Of Love (Remix)\u003c\/div\u003e\n\u003cdiv\u003e19\u003cspan\u003e \u003c\/span\u003ePregnant (Baatin)\u003c\/div\u003e\n\u003cdiv\u003e20\u003cspan\u003e \u003c\/span\u003eThings U Do (Remix)\u003c\/div\u003e\n\u003cdiv\u003e21\u003cspan\u003e \u003c\/span\u003eFat Cat Song (Remix)\u003c\/div\u003e\n\u003cdiv\u003e22\u003cspan\u003e \u003c\/span\u003eFantastic 4\u003c\/div\u003e\n\u003cdiv\u003eDisc 2 Fantastic Vol 2\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eIntro\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eConant Gardens\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eI Don't Know\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eJealousy\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eClimax (Girl Sh**)\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eTell Me\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eWhat It's All About\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eForth \u0026amp; Back (Remix)\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eUntitled\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eFall In Love\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eGet Dis Money\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003eCB4\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003ePlayers\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003eOnce Upon A Time\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003eEyes Up\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003e2U4U (Original Mix)\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003eGo Ladies\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003eWe Be Dem #1\u003c\/div\u003e\n\u003cdiv\u003e19\u003cspan\u003e \u003c\/span\u003eWe Be Dem #2\u003c\/div\u003e\n\u003cdiv\u003e20\u003cspan\u003e \u003c\/span\u003eGet It Together\u003c\/div\u003e\n\u003cdiv\u003e21\u003cspan\u003e \u003c\/span\u003eHold Tight (Original)\u003c\/div\u003e\n\u003cdiv\u003e22\u003cspan\u003e \u003c\/span\u003eOnce Upon A Time (Original Mix)\u003c\/div\u003e\n\u003cdiv\u003eDisc 3 Instrumentals\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eConant Gardens\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eClimax (Girl Sh**)\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eJealousy\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eHold Tight\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eTell Me\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eI Don't Know\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eForth And Back\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003eUntitled\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eFall In Love\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003eGet Dis Money\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eRaise It Up\u003c\/div\u003e\n\u003cdiv\u003e12\u003cspan\u003e \u003c\/span\u003ePlayes\u003c\/div\u003e\n\u003cdiv\u003e13\u003cspan\u003e \u003c\/span\u003eEyes Up\u003c\/div\u003e\n\u003cdiv\u003e14\u003cspan\u003e \u003c\/span\u003e2U4U\u003c\/div\u003e\n\u003cdiv\u003e15\u003cspan\u003e \u003c\/span\u003eCB4\u003c\/div\u003e\n\u003cdiv\u003e16\u003cspan\u003e \u003c\/span\u003eGo Ladies\u003c\/div\u003e\n\u003cdiv\u003e17\u003cspan\u003e \u003c\/span\u003eHustle\u003c\/div\u003e\n\u003cdiv\u003e18\u003cspan\u003e \u003c\/span\u003eFall In Love (remix)\u003c\/div\u003e\n\u003cdiv\u003eDisc 4 Bonus Songs\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e1\u003cspan\u003e \u003c\/span\u003eThings You Do (Madlib Remix)\u003c\/div\u003e\n\u003cdiv\u003e2\u003cspan\u003e \u003c\/span\u003eGet It Together (Madlib Remix)\u003c\/div\u003e\n\u003cdiv\u003e3\u003cspan\u003e \u003c\/span\u003eLook Of Love (Alt Remix)\u003c\/div\u003e\n\u003cdiv\u003e4\u003cspan\u003e \u003c\/span\u003eStupid Ass Lies\u003c\/div\u003e\n\u003cdiv\u003e5\u003cspan\u003e \u003c\/span\u003eThe World's Full Of Sadness\u003c\/div\u003e\n\u003cdiv\u003e6\u003cspan\u003e \u003c\/span\u003eHold Tight (Remix)\u003c\/div\u003e\n\u003cdiv\u003e7\u003cspan\u003e \u003c\/span\u003eWhat's Love Got To Do With It\u003c\/div\u003e\n\u003cdiv\u003e8\u003cspan\u003e \u003c\/span\u003ePlayers (Dr Love Remix)\u003c\/div\u003e\n\u003cdiv\u003e9\u003cspan\u003e \u003c\/span\u003eOnce Upon A Time (Pete Rock Remix)\u003c\/div\u003e\n\u003cdiv\u003e10\u003cspan\u003e \u003c\/span\u003e2U4U (Instrumental)\u003c\/div\u003e\n\u003cdiv\u003e11\u003cspan\u003e \u003c\/span\u003eHustle (Instrumental)\u003c\/div\u003e","brand":"Slum Village","offers":[{"title":"Default Title","offer_id":1733696880655,"sku":"ZZ-NMG5764-CD","price":19.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/1487707042-h.jpg?v=1514998366"},{"product_id":"tougher-than-leather-lp","title":"Tougher Than Leather (Colored LP)","description":"\u003ch2 style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON \u003cspan style=\"color: #0000ff;\"\u003eBLUE\u003c\/span\u003e TRANSLUCENT VINYL\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eRun-DMC released their fourth album 35 years ago on May 17th 1988 and will be back on translucent blue vinyl as we honor and celebrate Run-DMC's legacy. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eToo many people sleep on Tougher Than Leather, Run-DMCs fourth album. But hear us out as we plead the case for this amazing LP. By 1988 there was a lot more competition in the rap game – Public Enemy, Boogie Down Productions, Eric B. \u0026amp; Rakim, Ice-T and many more had given Hollis, Queens prodigal sons lots of competition. But Joe, Darryl and Jay were still at the top of their game, and hip-hop fans should never let this classic – chiefly produced by their Queens neighbor, DJ and multi-instrumentalist Davy D[MX] – get lost in their crates.\u003cbr\u003e \u003cbr\u003e For starters, the albums first single, Runs House b\/w Beats To The Rhyme is arguably the most powerful one-two punch of the trios career, showing contenders to the rap throne that they could still destroy a beat, tag-teaming with power at any speed. Not to be lost in the shuffle, fans were also reminded on both sides that Jam-Master Jay remained one of the worlds best DJs, flexing the pinnacle of what would be called turntablism a decade later. Both songs show a musical telepathy between all three that has rarely been equaled. \u003cbr\u003e \u003cbr\u003e The second single, Mary, Mary, driven by an infectious Monkees sample, took a different approach, shrewdly ensuring that pop fans who jumped on the Raising Hell bandwagon had something to chew on. But, like Walk This Way, the song wasnt just bubblegum – there was an edge to it, and the lyrical gymnastics were very real. It wasnt selling out, it was allowing fans to buy in. Papa Crazy, driven in concept and by a sample from the Temptations Papa Was A Rolling Stone, followed a similar pop-leaning path. \u003cbr\u003e \u003cbr\u003e Overall, the lyrical content on the album was a step up from the groups first three LPs. Its easy to infer, looking back, that they were feeling the heat from their younger competitors in the rap game. The genre was changing fast, and they were up to the challenge. On cuts like Radio Station they bring substance to the grooves, by attacking Black Radio for its continual denigration of rap. Tougher Than Leather reminds the world that they were still the Kings of Rock, with hard guitars to drive the point home. And They Call Us Run-DMC and Soul To Rock And Roll both bring things back to their early days, with sure-fire park jam rhymes and killer cuts.\u003cbr\u003e \u003cbr\u003e Tougher Than Leather, which went platinum up against a lot of competition, perfectly bookends the 80s output of one of the decades most important groups. It encompasses the full range of the trios capabilities, and reminds us that Run-DMC should never be forgotten as both pioneers and party-rockers.  RIP Jam Master Jay \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Run's House \u003cbr\u003eA2 Mary, Mary \u003cbr\u003eA3 They Call Us Run-D.M.C. \u003cbr\u003eA4 Beats To The Rhyme \u003cbr\u003eA5 Radio Station \u003cbr\u003eA6 Papa Crazy \u003cbr\u003eB1 Tougher Than Leather \u003cbr\u003eB2 I'm Not Going Out Like That \u003cbr\u003eB3 How'd Ya Do It Dee \u003cbr\u003eB4 Miss Elaine \u003cbr\u003eB5 Soul To Rock And Roll \u003cbr\u003eB6 Ragtime\u003c\/p\u003e","brand":"Run-DMC","offers":[{"title":"Default Title","offer_id":1733697634319,"sku":"ZZ-GET51320-LP","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/RunDMCbluehh50.png?v=1680025187"},{"product_id":"raising-hell-lp","title":"Raising Hell (LP)","description":"\u003cp\u003e\u003cbr\u003e Up until Raising Hell, the rap juggernaut we know as Run-DMC was still in its building and breaking-down- doors phase. In 1986 that changed, and in a dramatic way. With their third long-player, the group had reached the mountaintop. It was THE record that proved hip-hop wasnt a fad.\u003cbr\u003e \u003cbr\u003e Raising Hell marked an important and significant new era for the group. Leaving producer Larry Smith for up-and-coming sonic innovator Rick Rubin (still co-produced by Runs brother Russell Simmons), they began to fully transition not only their own sound but the sound of the entire genre. Less live playing – with some exceptions – and a slicker, tighter sonic attack. Musical aesthetics aside, though, at their core they stayed true to the essence of hip-hop: two turntables and a microphone, or two.\u003cbr\u003e \u003cbr\u003e It's impossible to talk about the album without its worldwide smash, Walk This Way, which hit #4 on the Billboard pop charts and saw the group digging in the rock crates to summon Aerosmith in the flesh, combining Steven Tylers and Joe Perry's musicianship with the groups own take on the 70s classic. The song's video cemented Run-DMC as legit MTV idols, and both groups rode its wave to new heights.\u003cbr\u003e \u003cbr\u003e Beyond Walk This Way, the platter is full to the hilt with undeniable classic singles: You Be Illin; It's Tricky; Peter Piper and the fashion-world shifting My Adidas. Each song was new proof that Run-DMCs sound was indeed new, but still familiar, and full of the energy, charisma, and innovation that drew fans to their first two LPs.\u003cbr\u003e \u003cbr\u003e Aside from the singles, the reason the album stands up so well is the fact that there is virtually no filler. Proud To Be Black remains a pioneering and underrated cut when people talk about conscious hip-hop. And to make sure they never lost the streets that gave them their start, Hit It Run, Son Of Byford, Is It Live and Perfection all bring it back to the group's early days in the park.\u003cbr\u003e \u003cbr\u003e Besides the triple platinum status the album achieved, it was more than just a pop smash. It signaled a new era for rap music, and it was the no-turning- back point for the entire genre. This was the beginning of what we now call the Golden Era, and it still sounds as fresh today as it did three decades ago.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Peter Piper \u003cbr\u003eA2 It's Tricky \u003cbr\u003eA3 My Adidas \u003cbr\u003eA4 Walk This Way\u003cbr\u003eA5 Is It Live\u003cbr\u003eA6 Perfection \u003cbr\u003eB1 Hit It Run \u003cbr\u003eB2 Raising Hell\u003cbr\u003eB3 You Be Illin'\u003cbr\u003eB4 Dumb Girl\u003cbr\u003eB5 Son Of Byford 0:27\u003cbr\u003eB6 Proud To Be Black\u003c\/p\u003e","brand":"Run-DMC","offers":[{"title":"Default Title","offer_id":1733714509839,"sku":"ZZ-GET51319-LP","price":24.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/rundmc.png?v=1602953463"},{"product_id":"too-hard-to-swallow-2-lp-clear","title":"Too Hard To Swallow (2xLP Clear)","description":"\u003cdiv style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON CLEAR VINYL \u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003e Back in 1992, Southern hip-hop was still proving to the world that it could sustain a fanbase that was chiefly raised on rap from New York and LA. The Geto Boys and 2 Live Crew had made strong cases by the earliest 90s, and Pimp C and Bun B were ready to make their own.\u003cbr\u003e \u003cbr\u003e Most of the trunk-rattling bass comes from drum programs and basic sampling on these tunes – in later years they would build their sound into something even fuller and deeper. Self-produced with additional work from Houston locals Bernie Bismark and Shetoro Henderson, the tracks here are minimal, slow and menacing, which matched their lyrical approach quite nicely.\u003cbr\u003e \u003cbr\u003e You can hear the beginnings of the group's true greatness in these early lyrical workouts – several taken from the regional cassette-only EP The Southern Way that got them signed to Jive – with tales of street hustles, relationships and self-reliance in a world stacked against them. They may have been done early on, but that doesn't mean they aren't crucial to UGKs legacy – cases in point being the three singles: Something Good; a charismatic update to Bill Withers Use Me Up; and Pocket Full Of Stones (the latter featured on the Menace II Society soundtrack). Beyond the singles, deeper cuts like I'm So Bad, Feels Like I'm The One Whos Doin Dope and Cramping My Style made it clear to the world that this crew had the attitude and charisma to make even bigger waves in the years to come.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Something Good\u003cbr\u003eA2 Use Me Up\u003cbr\u003eA3 Pocket Full Of Stones\u003cbr\u003eB1 Short Texas\u003cbr\u003eB2 Cocaine In The Back Of The Ride\u003cbr\u003eB3 It's Too Hard To Swallow\u003cbr\u003eC1 Cramping My Style\u003cbr\u003eC2 Feel Like I'm The One Who's Doin' Dope\u003cbr\u003eC3 I'm So Bad\u003cbr\u003eD1 Trill Ass Nigga\u003cbr\u003eD2 976-Bun B\u003cbr\u003eD3 Something Good (Pimp C's Remix)\u003c\/p\u003e","brand":"UGK","offers":[{"title":"Default Title","offer_id":1733714640911,"sku":"ZZ-GET51323-LP","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/files\/UGKTooHard2.png?v=1739497250"},{"product_id":"livin-proof-2-lp","title":"Livin Proof (2xLP)","description":"\u003cp\u003eOne of the more unsung talents that came out of the Gang Starr Foundation was the Brooklyn-based duo Group Home, consisting of MCs Lil Dap and Melachi The Nutcracker. Dap was first showcased on the Gang Starr posse cut Im The Man, on 1992s Daily Operation; Melachi appeared on Words From The Nutcracker from 1993s Hard To Earn. The early Group Home song So Called Friends was also featured on 1993s now-legendary Gangstarr Foundation Sampler, which also gave the world Jerus Come Clean.\u003cbr\u003e \u003cbr\u003e By 1995, Dap and Melachi had paid their dues and finally got their own full-length: Livin Proof. And it was everything that Gang Starr and any true school hip-hop fans could have wanted, produced almost entirely by DJ Premier (with two exceptions: Serious Rap Shit helmed by Guru himself; and 4 Give My Sins, produced by Jay-Z mentor Jaz-O (aka Big Jazz).\u003cbr\u003e \u003cbr\u003e Beyond the albums classic singles – Supa Star, Livin Proof and Suspended In Time – there are Premier-overseen classics all over, including The Realness, Inna Citi Life, and Sacrifice. In fact, many Gang Starr scholars agree that the beats on Living Proof are in the Top 5 of all Premier-produced albums – no small boast, but certainly hard to disprove.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Intro \u003cbr\u003eA2 Inna Citi Life \u003cbr\u003eA3 Livin' Proof\u003cbr\u003eA4 Serious Rap Shit\u003cbr\u003eB1 Suspended In Time \u003cbr\u003eB2 Sacrifice\u003cbr\u003eB3 Up Against The Wall (Low Budget Mix) \u003cbr\u003eC1 4 Give My Sins\u003cbr\u003eC2 Baby Pa\u003cbr\u003eC3 2 Thousand \u003cbr\u003eD1 Supa Star \u003cbr\u003eD2 Up Against Tha Wall (Getaway Car Mix)\u003cbr\u003eD3 Tha Realness\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Group Home","offers":[{"title":"Default Title","offer_id":1733727584271,"sku":"ZZ-GET54089-LP","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/GET54089GROUPHOMELivingProofLPcopy.jpg?v=1595137718"},{"product_id":"lord-willin-lp","title":"Lord Willin (2xLP)","description":"\u003cp\u003eThe first act signed to The Neptunes newly formed Star Trak label was a Virginia based duo known as the Clipse. The first single Grindin impacted the streets with its bare boned but infectious drum beat in the same way that Sucker MCs did almost 20 years earlier. These brothers - Pusha T and Malice combined with The Neptunes groundbreaking production sent a clear message to the rap world – we are not the same (as rapped by Malice on his opening verse on Cot Dam). Clipse brings an authentic Virginia sound into the game and created a movement, with not only their darkly layered raps but The Neptunes as well. Pharrell Williams and Chad Hugo were able to combine their cyberpunk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer the Virginia hustlers viewpoint with clever, hard-hitting lyrics that is sprinkled throughout the entire album.\u003cbr\u003e \u003cbr\u003e With so many standout tracks on Lord Willin the album starts pulling no punches. On Track 1 simply (or maybe not) titled Intro you get a very personal and deep testament of crack and the drug game, a theme that is throughout this album…HEAVY. Songs like Virginia or Im Not You (featuring Jadakiss, Styles P and Roscoe P Coldchain), have lyrics that play as a musical notes alongside The Neptunes tailored beats. Young Boy, Comedy Central… all fit perfectly alongside When the Last Time and Cot Dam as each song plays its part as chapters to the Lord Wilin masterpiece. Gangsta Lean (another one of the albums standout tracks) features a slightly lighter feel while paired with Pharrells trademark falsetto hook. The truth of it is, its hard to just pick one track, or point out which is the albums star. Each song on Lord Willin is essential to making it the classic that it is. 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Remastered from the original Fondle Em 1999 issue.\u003cbr\u003e \u003cbr\u003e Underneath his mysterious metal mask, MF DOOM hides the cachet underground legends are made of. After KMD (his first group)s 1994 sophomore album Bl_ck B_st_rds was shelved by Elektra in 1994 and his blood brother Subroc (one half of the sibling rap duo) passed away, surviving frontman Zev Love X mutated into the MC Avenger known as MF DOOM and the Rap world is better for it. This 19-cut deep album is ridiculously dope, in a bizarro Ol Dirty Bastard kind of way. Doom sounds either high or drunk on most of the tracks, his self-produced beats are gritty, and his rhyme styles are almost indecipherable. On arguably the best track, Rhymes Like Dimes, Doom weaves some pointed lyrics through his abstract wordplay, spitting only in America could you find a way to earn a healthy buck \/ And still keep your attitude on self-destruct.\u003cbr\u003e \u003cbr\u003e Who You Think I Am? features DOOMs crew M.onster I.sland C.zars, while on ? he trades hot verses with former Columbia artist\u003cbr\u003e Kurious Jorge. Dooms avant-garde ghetto-rhyme philosophies take even more intentionally weird twists on Tick, Tick... where he\u003cbr\u003e and guest MC MF Grimms flows warble over a rhythm track whose tempo speeds up and slows down continually. The comic-book\u003cbr\u003e themed skits, will help take you deep into the mind of an MC who is as otherworldly as they come. 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Deep messages abound in the songs here, such as the nearly 10-minute workout “I’m Paying Taxes, But What Am I Buying.”\u003cbr\u003e\u003cbr\u003eSocial messages aside, Fred and his assembled JBs were a party-moving funk machine at heart, as heard on “If You Don’t Get It The First Time, Back Up And Try It Again Party” and the laid-back groove of “Same Beat” (with prototypical sampling of Jesse Jackson exhorting an audience to chant “I am \/ Somebody”). 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Doom’s avant-garde ghetto-rhyme philosophies take even more intentionally weird twists on “Tick, Tick...” where he and guest MC MF Grimm’s flows warble over a rhythm track whose tempo speeds up and slows down continually. The comic-book themed skits, will help take you deep into the mind of an MC who is as otherworldly as they come. 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It will surprise no one from names of the group and the album, but drinking takes up a lot of time here, including classic tracks – which doubled as album singles – like the rolling, ultra-funky “Make Room” and the hilarious “Only When I’m Drunk,” the latter fueled by the classic block-party break “Seven Minutes Of Funk.”\u003c\/p\u003e\n\u003cp\u003eOne lesser-known element of the group’s debut was the introduction of the now mythical producer and MC \u003cstrong\u003eMadlib\u003c\/strong\u003e, who produced the dusty “Mary Jane” and the ridiculously funky, churning “Turn Tha Party Out” (under the name \u003cstrong\u003eThe Loot Pack\u003c\/strong\u003e, with DJ Romes). Both tracks are dope as hell, and perfectly fit the group’s sound, showing that they also had an ear for up-and-coming talent.\u003c\/p\u003e\n\u003cp\u003eAn interesting old-school angle on the album is that several tracks feature LA legend King Tee on production and vocals (“Last Call”; “Soda Pop” and “Bullshit”). 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Spice 1 boasted four singles by the time it was all said and done, and breezed to Gold status on the strength of cuts like the catchy “East Bay Gangster”; the heartfelt tales and truths of “Welcome To The Ghetto”; and the thick, grooving “In My Neighborhood.” He even produced the alcohol-themed “187 Proof,” another of the album’s singles, and the hands-down cleverest vocal outing on the LP.\u003c\/p\u003e\n\u003cp\u003eSonically, the backdrops on Spice 1 range from plunky, keyboard-bassline funk to deeper, fuzzy ‘70s samples – and he sounds strong on top of both. “Break Yourself” is fueled with an electro-funk drive; “1-800 Spice” brings reggae flavor; and “Peace To My Nine” gets chunkier, with a well-placed P-Funk “One Nation Under A Groove” sample.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 In My Neighborhood \u003cbr\u003eA2 187 Proof \u003cbr\u003eA3 East Bay Gangster (Reggae) \u003cbr\u003eA4 Money Gone\u003cbr\u003eA5 1-800-Spice\u003cbr\u003eA6 Peace To My Nine \u003cbr\u003eA7 Young Nigga \u003cbr\u003eB1 Welcome To The Ghetto \u003cbr\u003eB2 Fucked In The Game \u003cbr\u003eB3 Money Or Murder \u003cbr\u003eB4 City Streets \u003cbr\u003eB5 1-900-Spice \u003cbr\u003eB6 Break Yourself\u003cbr\u003eB7 187 Pure\u003c\/p\u003e","brand":"Spice 1","offers":[{"title":"Default Title","offer_id":7037920411681,"sku":"ZZ-GET51284-LP","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/SPICE1_00.jpg?v=1567820047"},{"product_id":"later-that-day-2xlp","title":"Later That Day (2xLP)","description":"A crucial founding member of the Northern Cali-birthed Solesides \/ Quannum collective – which included DJ Shadow and Blackalicious, among others – and one half of the groundbreaking Latyrx duo (with Lateef The Truthspeaker), Lyrics Born opened a lot of ears and minds with his 2003 solo debut, Later That Day….\u003cbr\u003e\u003cbr\u003eOn this very open-minded and chiefly self-produced long player, Lyrics Born and his crew (including Joyo Velarde, on vocals; guitarist Tommy Guerrero and Germany’s funk masters Poets of Rhythm) bring it from the funk side, boasting a warm soul stew instead of colder drum machine-based beats and chopped samples.\u003cbr\u003e\u003cbr\u003eAs shown since his earliest days, the incredibly versatile Lyrics Born mixes his flow up depending on the track, from tongue-twistingly fast to conversationally mundane, and concepts are usually at the forefront – “Cold Call” is an amusing take on telemarketers, featuring Gift of Gab; “Before And After” is about friends growing apart; “Bad Dreams” is a groovy apocalyptic shaker. The infectious “Callin’ Out” rides the party train and “Stop Complaining” timeshares between funny and serious. “Do That There” features DJ Cut Chemist with liquid cuts that work around LB’s verbal floor routine.\u003cbr\u003e\u003cbr\u003eAnd even after all of the other musical fireworks, the album’s crescendo most assuredly comes on track eleven, “The Last Trumpet”: operatically dramatic and powerful, with Lyrics Born and Latyrx-mate Lateef trading verses like “the only action \/ we can profit from \/ is movement towards \/ the positive \/ progressive thought \/ that’s rooted up \/ in consciousness” at breakneck pace.\u003cbr\u003e\u003cbr\u003ePresented for its 15th Anniversary as a 2-LP set, on colored vinyl, housed in a gatefold jacket with in-depth liner notes by renowned author and journalist Jeff Chang (who also helped found the Solesides movement in the early ‘90s), plus a 11”x17” poster of the amazing cover art, this is a perfect way to re-introduce this classic to a new era of fans – present and future.  It also has a full-album download card which includes advance bonus track \"When I Get My Check\" feat Gift of Gab \u0026amp; Chali 2na, from LB's forthcoming new album 'Quite A Life'.","brand":"Lyrics Born","offers":[{"title":"Default Title","offer_id":7038180098081,"sku":"ZZ-RP03-LP","price":30.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/LyricsBorn_LaterthatDay.jpg?v=1588656825"},{"product_id":"the-muzappers-mixes-2xlp","title":"The Muzapper's Mixes (2xLP)","description":"\u003cbr\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON DOUBLE-COLORED VINYL\u003cbr\u003e(DISC ONE IN \u003cspan style=\"color: #9900ff;\"\u003ePURPLE\u003c\/span\u003e \/ DISC TWO IN \u003cspan style=\"color: #f1c232;\"\u003eYELLOW\u003c\/span\u003e)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBonus cuts feature production by DJ Shadow, DJ Z Trip, and The Herbaliser.\u003c\/p\u003e\n\u003cp\u003eIncludes DL card for the entire album, plus a brand new track from Lyrics Born’s upcoming album ‘Quite A Life’\u003c\/p\u003e\n\u003cp\u003eMore than 20 years after its initial release, Latyrx “The Muzapper Mixes” has stood the test of time and with this reissue is sure to enter the pantheon of certified Bay Area classics.\u003c\/p\u003e\n\u003cp\u003eLatyrx, the duo consisting of lyricists Lyrics Born and Lateef The Truthspeaker initially partnered while at UC Davis in the early 90s driven by brothers-in-beats-and-rhymes Blackalicious and DJ Shadow. 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Upon its original release, Wu-Tang Forever received favorable reviews from most music critics, while it also earned the group a Grammy Award nomination for Best Rap Album at the 40th Grammy Awards in 1998.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003eA1 Wu-Revolution 6:17\u003cbr\u003eA2 Reunited 5:23\u003cbr\u003eB1 For Heavens Sake 4:13\u003cbr\u003eB2 Cash Still Rules\/Scary Hours (Still Don't Nothing Move But The Money) 3:06\u003cbr\u003eB3 Visionz 3:09\u003cbr\u003eC1 As High As Wu-Tang Gets 2:39\u003cbr\u003eC2 Severe Punishment 4:49\u003cbr\u003eC3 Older Gods 3:07\u003cbr\u003eD1 Maria 2:34\u003cbr\u003eD2 A Better Tomorrow 4:58\u003cbr\u003eD3 It's Yourz 4:15\u003cbr\u003eE1 Intro 2:05\u003cbr\u003eE2 Triumph 5:38\u003cbr\u003eE3 Impossible 4:28\u003cbr\u003eE4 Little Ghetto Boys 4:31\u003cbr\u003eF1 Deadly Melody 4:03\u003cbr\u003eF2 The City 4:07\u003cbr\u003eF3 The Projects 3:15\u003cbr\u003eF4 Bells Of War 5:12\u003cbr\u003eG1 The M.G.M. 2:39\u003cbr\u003eG2 Dog Sh*t 2:39\u003cbr\u003eG3 Duck Seazon 5:20\u003cbr\u003eG4 Hellz Wind Staff 4:52\u003cbr\u003eH1 Heaterz 4:19\u003cbr\u003eH2 Black Shampoo 3:50\u003cbr\u003eH3 Second Coming 4:35\u003cbr\u003eH4 The Closing 2:43\u003cbr\u003e\u003c\/p\u003e","brand":"Wu-Tang Clan","offers":[{"title":"Default Title","offer_id":12653787250711,"sku":"SME19075804131-LP","price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/wutangforever.png?v=1618242361"},{"product_id":"dewdrops-in-the-garden-lp","title":"Dewdrops In The Garden (Colored 2xLP)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON PINK \u0026amp; PURPLE PSYCHEDELIC SWIRL-COLORED VINYL \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen one makes mention of Deee-Lite, the 90's house-funk trio of Lady Miss Kier, and DJs Dmitry and Towa Tei, invariably their Billboard smash single “Groove Is In The Heart” (Off their 1990 studio debut World Clique) will come up, and for good reason. With its Herbie Hancock-sampling bassline, some classic rhymes from Q-Tip, and guest vocals by Parliament-Funkadelic legend Bootsy Collins, the song became an indelible classic of 90s music, a massive commercial hit for Deee-lite, (Reaching #4 on the Billboard Hot 100) and is widely considered one of the greatest dance songs of all time. Although a massive success for the group, “Groove Is In The Heart” led to some pigeonholing from critics and reviewers, who had specific expectations for future records.\u003cbr\u003e\u003cbr\u003eRather than deliver more of the same free-wheeling, breezy dance music of World Clique, Deee-lite took a more politically-minded approach with their second album,  spurred largely by front-woman Lady Miss Kier, who had a lengthy history of political activism prior to forming the group. 1992's Infinity Within rendered several Dance-chart hit singles, but was not as commercially or critically lauded as its forebear.\u003cbr\u003e\u003cbr\u003eDeee-lite were undaunted by their change in commercial fortune, regrouping with the addition of junglist DJ Ani, replacing the absent Towa Tei to record their third  record. 1994's Dewdrops In The Garden was the result of their efforts, which struck  a remarkable balance between the celebratory grooves of World Clique,  and the social justice-driven Infinity Within. 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What Is This Music?\u003c\/p\u003e","brand":"Deee-Lite","offers":[{"title":"Default Title","offer_id":13168497885207,"sku":"ZZ-GET52755-LP","price":38.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/files\/DewDropsMain.png?v=1738542961"},{"product_id":"flood-lp","title":"Flood (Colored 2xLP)","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON RED VINYL\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eThis double live outing from Herbie Hancock was recorded in Tokyo in July of 1975. Backed up by The Headhunters, Hancock runs through selections from his albums Head Hunters, Thrust and Man-Child – that last project still being months away from release at the time of this recording. \u003c\/p\u003e\n\u003cp\u003eA1        Introduction \u0026amp; Maiden Voyage\u003cbr\u003eA2        Actual Proof\u003cbr\u003eB1        Spank-A-Lee\u003cbr\u003eB2        Watermelon Man\u003cbr\u003eC1        Butterfly\u003cbr\u003eC2        Chameleon\u003cbr\u003eD1        Hang Up Your Hang Ups\u003c\/p\u003e","brand":"Herbie Hancock","offers":[{"title":"Default Title","offer_id":13168509157399,"sku":"ZZ-GET51446-LP","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/HHFlood.png?v=1635383550"},{"product_id":"guerillas-in-tha-mist-lp","title":"Guerillas In Tha Mist (Colored LP)","description":"\u003cp style=\"text-align: center;\"\u003e \u003cstrong\u003ePRESSED ON \u003cspan style=\"color: #bc6916;\"\u003eORANGE\u003c\/span\u003e AND \u003cspan style=\"color: #43b739;\"\u003eGREEN\u003c\/span\u003e SPLATTER VINYL!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePossessing lyrics heavily focused on political and social justice, inspired heavily by West Coast gang culture and Islam, Da Lench Mob made waves throughout the hip-hop scene when they first appeared on the track \"Rollin' With The Lench Mob\", off Ice Cube's famed 1990 solo record \u003cem\u003eAmeriKKKa's Most Wanted\u003c\/em\u003e. Initially, the titular \"Lench Mob\" of the track namesake referred to Ice Cube as well as the other participating rappers, but J-Dee, Shorty, and T-Bone would adopt the name for their own in time. Their appearance on the Ice Cube track and interludes on the album would earn the trio critical interest, (as well as shout-outs on Ice Cube's 1991 follow-up \u003cem\u003eDeath Certificate\u003c\/em\u003e) and generate palpable anticipation for a studio album of their own.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGuerillas In Tha Mist\u003c\/em\u003e, their 1992 debut record, was recorded in the wake of the Rodney King riots, taking its name from infamous comments made during the riots. The record was uncompromising and confrontational in its depictions of urban decay and an unjust system wreaking havoc on an economically disadvantaged Black population. It was starkly realistic (bordering on abrasive) in the content of tracks like the armed revolution-advocating \"Freedom Got An A.K.\", the kill-your-idols style of \"You And Your Heroes\", and the anti-pusher anthem \"All On My Nut Sac.\" These harsh manifestos were made all the more smooth via Ice Cube's jazzy G-funk and Bomb Squad-influenced production, which sampled heavily from classic songs by Parliament, Kool \u0026amp; The Gang, The Incredible Bongo Band, and even Vangelis. Cube himself would make guest appearances throughout the record, as well as an appearance by B-Real of Cypress Hill on the track \"Ain't Got No Class.\"\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGuerillas In Tha Mist\u003c\/em\u003e was a Billboard success upon its release, reaching #24 on the Billboard 200, and rendering rap radio hits out of its title track and \"Freedom Got An A.K.\", but Da Lench Mob would fall into obscurity over the years, eventually going their separate ways after creative differences, financial rifts, and the life conviction of rapper J-Dee for suspected murder in 1993. Despite their loss of commercial fortunes, \u003cem\u003eGuerillas In Tha Mist\u003c\/em\u003e would develop a strong reputation as an unheralded gem among hip-hop heads, and would be considered one of the great lesser-known releases of the era among critics (in 2018 Complex would declare the title track as one of the 100 Best L.A. Rap Songs). Shorty passed away in 2019, and J-Dee was released from prison in 2021 and is recording new music.  This record is a must-have for any 90s West Coast Hip Hop fan. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eA1. Capital Punishment In America\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA2. Buck Tha Devil\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA3. Lost In Tha System\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA4. You \u0026amp; Your Heroes\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA5. All On My Nut Sac (feat. Ice Cube)\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eA6. Guerillas In Tha Mist\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eB1. 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Across his over 25-year career he has been ranked as one of the greatest rap performers and lyricists by MTV, The Source, and Complex, among other publications, all while selling over 30 million records worldwide, and releasing eight consecutive platinum albums. In particular, his 1994 debut Illmatic is hailed as a paragon of underground hip-hop, a turning point in East Coast rap's development, and one of the all-time greatest debut albums in general.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThough Nas' artistic legacy is without question, it was not always the case; if Nas had flourished during the mid-90s, he had stumbled clumsily while transitioning into the 00's. After achieving universal praise via Illmatic and commercial success with its' follow-up It Was Written, Nas' next few releases were considered inconsistent and lackluster compared to the critical one-two punch they followed. During this time period he had abandoned the socially-conscious and philosophical topics that made him a critical darling in favor of more commercially viable gangsta rap. Though he maintained a chart presence for much of the late-90s, review scores began to dwindle, and his status among the hip-hop community was thrown into question.\u003cbr\u003e\u003cbr\u003eThis would change in 2001 with the release of Nas' fifth studio full-length, which made the effort to re-establish him as a legitimate artist. Eschewing the pop-friendliness he'd found success with, Nas instead opted to return to the underground style he came up in, with tracks about American politics, ghetto life, and social upheaval. Perhaps sensing this need to return to his roots, he titled the album Stillmatic, a clear and present reference (and sequel of sorts) to Illmatic.\u003cbr\u003e\u003cbr\u003eThe ploy worked perfectly; Stillmatic was hailed by critics as a stunning comeback, and a brilliant return to form, earning rave reviews from rap outlets such as The Source and HipHopDX as well as from more mainstream publications as The Rolling Stone and The Village Voice. Praise was heaped upon the complexity and introspective nature of Nas' lyrical content, the top-tier production from veterans like Large Professor, DJ Premier, L.E.S., and Trackmasters, and hard-hitting guest appearances from AZ, Mary J. Blige, and Amerie.\u003cbr\u003e\u003cbr\u003eStillmatic would see release on December 18th of 2001, right as Nas was caught in the middle of a highly publicized feud with fellow New York rapper Jay-Z. As such, the record features one of the feud's most intense apexes in the form of its second track \"Ether\", a ruthless Ron Browz-produced diss track. A response to Jay-Z's own diss \"Takeover\", \"Ether\" savaged the Brooklyn-native, accusing him of brown-nosing to get ahead, of plagiarizing earlier rappers such as Notorious B.I.G. and KRS-One, and dismissing his street cred. To this day \"Ether\" is considered one of the best and most potent diss tracks ever recorded, a major turning point in the Nas\/Jay-Z feud, a standout among the already critically acclaimed Stillmatic, and is even credited with boosting Jay-Z's career by proxy.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLISTING:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eA1. Stillmatic (The Intro)\u003cbr\u003eA2. Ether\u003cbr\u003eA3. Got Ur Self A…\u003cbr\u003eA4. Smokin'\u003cbr\u003e\u003cbr\u003eB1. You're Da Man\u003cbr\u003eB2. Rewind\u003cbr\u003eB3. 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Through guest slots on now iconic tracks like Three Six Mafia's “Sippin' On Some Syrup”, and Jay-Z's Billboard smash “Big Pimpin'” UGK managed to greatly increase their profile, and build even greater anticipation for a fourth studio album.\u003c\/p\u003e\n\u003cp\u003eThis album, titled Dirty Money, would arrive in November of 2001, after having been shelved by their label Jive Records since 1998. Across 14 tracks of syrup-soaked, drawling Southern hip-hop tracks, UGK stretched their creative chops and showed that in the five years since Ridin' Dirty they hadn't lost their step in the slightest. Bun B's and Pimp C's rhymes were free-wheeling, clever, and irreverent as they  had ever been, while the production was classic Texas rap, courtesy of Pimp C and Southern hip-hop legend N.O. Joe, who shared production duties. Guest contributions from Juicy J \u0026amp; DJ Paul of Three Six Mafia, Big Gipp of Goodie Mob, Too $hort, Devin The Dude, and more helped bolster the duo's codeine-drenched witticisms, over samples from the likes of BB King, Barry White, and The Staple Singers among others.\u003c\/p\u003e\n\u003cp\u003eRiding on UGK's newfound mainstream fortunes, Dirty Money managed a remarkable #19 debut on the Billboard 200 chart, as well as reaching #2 on the R\u0026amp;B\/Hip-Hop Albums chart. In spite of this, Jive failed to capitalize on the attention the duo was receiving; with a lack of promotion and marketing behind it the record left just as quickly as it had arrived. We at Get On Down haven't forgotten this album's greatness though; we now present to you this color vinyl reissue of Dirty Money, an under-appreciated and oft-forgotten relic of Southern hip-hop, one that has never before been committed to wax.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA1. Let Me See It\u003cbr\u003eA2. Choppin' Blades\u003cbr\u003eA3. Look At Me\u003cbr\u003eA4. Ain't That A Bitch (Ask Yourself) (feat. Devin The Dude)\u003cstrong\u003e* \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eB1. Gold Grill (feat. Eightball \u0026amp; MJG)\u003cbr\u003eB2. PA Nigga\u003cbr\u003eB3. Holdin' Na (feat. C-Note)\u003cbr\u003eB4. Don't Say Shit (feat. Big Gipp of Goodie Mob)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eC1. Dirty Money\u003cbr\u003eC2. Like A Pimp (feat. 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These underground kingpins were both at their hungriest at the top of 2018 and this LP is the proof. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBenny the Butcher is as hot as any artist on the planet right now, fresh off of an incredible 2019 with his The Plugs I Met project, the collaborative effort Statue of Limitations (with Smoke DZA), and his Shady Records debut alongside his Griselda brethren Westside Gunn and Conway the Machine, entitled WWCD.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e38 Spesh is heading up the Trust movement, and also had a stellar few years, including his Son of G Rap album (alongside Kool G Rap) and songs with Styles P, Jadakiss, Uncle Murda, AZ, N.O.R.E., Kool G Rap, and French Montana. 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The infectiously quirky, and eminently danceable track is prominently based around samples of \"Bring Down The Birds\" by Herbie Hancock, and \"Get Up\" by Vernon Burch, among many others, (Courtesy of dual producers DJs Dmitry and Towa Tei) paired with top-tier guest contributions from JB's veterans Maceo Parker and Fred Wesley, background vocals from Parliament-Funkadelic's own Bootsy Collins, and even a guest rap from Q-Tip, not to mention frontwoman Lady Miss Kier's own siren-like vocals.\u003cbr\u003e\u003cbr\u003eAll disparate and disconnected elements, but ones that would come together to form dancehall greatness, and chart-topping success worldwide for Deee-Lite. \"Groove Is In The Heart\" managed to reach #4 on the Billboard Hot 100 chart, but excelled at its best on the Hot Dance Club Play chart, where it reached to the #1 spot. On top of its success in America it was a smash internationally, climbing the heights of the charts in the UK, Canada, Australia, and a vareity of other countries. It remained in heavy rotation for much of 1990 on MTV as well. As the decades went on, \"Groove Is In The Heart\" would be ranked among the greatest dance tracks of all time, as well as one of the greatest songs of the 1990s by VH1, Pitchfork, Buzzfeed, and many more.\u003cbr\u003e\u003cbr\u003e\"Groove Is In The Heart\" was a potent single for Deee-Lite to lead with, but the album bearing it was nothing to slouch at either. 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