{"title":"West Coast Hip Hop","description":"","products":[{"product_id":"cypress-hill-lp","title":"Cypress Hill (Red LP)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSD ON RED VINYL\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen Cypress Hill came with their debut they made an immediate spark that captivated the Hip Hop audience, critics and then the world. Led by B-Real with his nasal, singsong delivery and Sen Dog to play the perfect hypeman, Cypress debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them the Production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned out beats. Records like How I Could Just Kill a Man, Pigs, Stoned is the Way of the Walk and Hand on the Pump made this album the instant classic that it is. Since its release, the album has won acclaim as one of Rolling Stones Essential Recordings of the 90s and Top 100 Best Rap Albums by The Source magazine. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Pigs\u003cbr\u003eA2 How I Could Just Kill A Man\u003cbr\u003eA3 Hand On The Pump\u003cbr\u003eA4 Hole In The Head\u003cbr\u003eA5 Ultraviolet Dreams\u003cbr\u003eA6 Light Another\u003cbr\u003eA7 The Phuncky Feel One\u003cbr\u003eA8 Break It Up\u003cbr\u003eB1 Real Estate\u003cbr\u003eB2 Stoned Is The Way Of The Walk\u003cbr\u003eB3 Psycobetabuckdown\u003cbr\u003eB4 Something For The Blunted\u003cbr\u003eB5 Latin Lingo\u003cbr\u003eB6 The Funky Cypress Hill Shit\u003cbr\u003eB7 Tres Equis\u003cbr\u003eB8 Born To Get Busy\u003c\/p\u003e","brand":"Cypress Hill","offers":[{"title":"Default Title","offer_id":1733555748879,"sku":"ZZ-GET51293-LP","price":27.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/CypressHillcopy_0e65838c-fc10-41cf-bf33-4081ced50000.jpg?v=1589405839"},{"product_id":"quality-control-2-lp","title":"Quality Control (2xLP)","description":"\u003cp\u003eJurassic 5 flexed serious old-to-the-new muscles in the 90s, beginning with their independently released single Unified Rebelution in 1994, and book-ending with their stellar debut full-length: 2000s Quality Control. They walked a tightrope between underground and mainstream hip-hop, and toured alongside rap peers as well as punk rockers on the Vans Warped Tour.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e With double the pleasure of your average hip-hop group – two DJs and producers (Cut Chemist and DJ Nu-Mark); and four MCs (Chali 2na, Akil, Marc 7 and Zaakir aka Soup) – they brought the late 1970s unison MC style of pioneering groups like the Fantastic 5 and the Force MCs to a new generation. Even more surprisingly, they did so out of Los Angeles, whose hip-hop flavors generally leaned towards Gangsta, G-Funk or Electro lines. Musically inventive and lyrically forward-thinking, each song on Quality Control is a new adventure, exploring engaging territory, delivered via one of the best live hip-hop shows fans had seen in years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e From singles like the strutting groove of the title track to the throwback doo-wop samples on The Influence and the catchy, keyboard groove-driven World of Entertainment (WOE Is Me), to deeper album tracks like the lyrical gymnastics of Jurass Finish First and the thought-provoking Lausd, Jurassic 5 consistently stepped to the plate and their fans responded in kind, nearly pushing the album to Gold status. 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Culminating in the release of their classic debut, they created a bouillabaisse that was most parts West Coast swagger but – similar to The D.O.C. and Cypress Hill – with a sonic approach that could just as well have stepped off the streets of New York City.\u003cbr\u003e \u003cbr\u003e Recorded in less than two weeks at San Franciscos Hyde Street Studios, 93 til Infinity doesnt suffer from a single freshman jitter or misstep. Its a fully-realized effort, packed from start to finish with ridiculous lyricism – all carried out in impressive four-part, tag-team style – and backed by a wide range of musical possibilities, from hard boom-bap to 70s CTI-jazz-sprinkled grooves. But without worthy music, the groups high-level lyricism could have fallen by the wayside. Digging deep into crates that other producers had yet to mine, the production crew gave the quartet exactly what they needed, with unpredictable rolling basslines, dusty drums and jazz keyboard and horn stabs and swirls. Non-singles like Disseshowedo (produced by Domino and Jay Biz), Batting Practice (Casual), Limitations (Jay Biz, with Del and Casual contributing verses) and What A Way To Go Out (Domino) made sure that the fast-forward button remained untouched.\u003cbr\u003e \u003cbr\u003e No matter the angle from which you approach 93 til Infinity, back-in-the-day listeners and new fans will both find much to enjoy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1 Let 'Em Know\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Live And Let Live\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Thats When Ya Lost\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 A Name I Call Myself\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Disseshowedo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 What A Way To Go Out\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Never No More\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1 93 'Til Infinity\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2 Limitations\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3 Anything Can Happen\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1 Make Your Mind Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2 Batting Practice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3 Tell Me Who Profits\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4 Outro\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Souls of Mischief","offers":[{"title":"Default Title","offer_id":1733661982735,"sku":"ZZ-TEG78504-LP","price":29.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/SoulsofMischief_93til.jpg?v=1588658657"},{"product_id":"no-one-can-do-it-better-lp","title":"No One Can Do It Better (Colored LP w\/OBI)","description":"\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eGET ON DOWN EXCLUSIVE\u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON APPLE RED SMOKY COLORED VINYL WITH OBI \u003c\/strong\u003e\u003c\/h4\u003e\n\u003ch4 style=\"text-align: center;\"\u003e\u003cstrong\u003eLIMITED TO 1500 COPIES \u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp\u003eGet On Down is proud to announce a vinyl reissue of one of the West Coast's most revered, yet underrated, hip-hop classics and quite possibly one of the best hip-hop albums of all time: The D.O.C.'s \u003cem\u003e\u003cstrong\u003eNo One Can Do It Better\u003c\/strong\u003e\u003c\/em\u003e.  Produced entirely by Dr. Dre and out of print on vinyl in the U.S. for several years, this limited edition colored LP features original album artwork and thirteen tracks of rap heaven. When his debut album hit in mid-1989, The D.O.C. was in the vortex of the biggest hip-hop happening on the planet: the rise and rule of N.W.A. The groups breakout album Straight Outta Compton had hit one year prior and had created both controversy and worldwide critical acclaim.\u003cbr\u003e \u003cbr\u003e As rap history buffs and industry insiders know, The D.O.C. was a crucial behind-the-scenes member of the N.W.A. inner circle – his most important role in the early days of the group, besides his close working relationship with Dr. Dre, was writing many of Eazy-E's rhymes, including his hit 1988 single We Want Eazy. He would go on to write for Efli4zaggin, The Chronic and Doggystyle. The D.O.C originally from Dallas, Texas started his career in the Fila Fresh Crew and was featured on N.W.A and The Posse. \u003cbr\u003e \u003cbr\u003e But The D.O.C. wasnt in N.W.A. and never wanted to be – he was his own man, with his own vision. And after Compton proceeded to blow up (much like Eazy's 1988 LP, Eazy-Duz-It), the next crew album was No One Can Do It Better. Significantly, it was the first album where Dr. Dre showed his greatness as a solo producer for one MC. And the Dallas-born D.O.C. lived up to the challenge of Dre's funky, expertly-produced tracks by bringing his A-game on the mic.\u003cbr\u003e \u003cbr\u003e Boasting four singles – The D.O.C. and the Doctor; Mind Blowin; the smash It's Funky Enough; and The Formula – the album is flawless from beginning to end. Of particular note beyond the singles is The Grand Finale, which was the last time that Ice Cube, M.C. Ren and Eazy-E would rhyme on a track together.\u003cbr\u003e \u003cbr\u003e Skillfully rhyming over both fast and slow tracks, The D.O.C. showed on this amazing record that he was one of hip-hops most talented MCs, especially on the West Coast scene. He nearly died in a horrific car crash as the album was catching fire in the late summer of 1989 which damaged his vocal cords, but he survived and continues to make new music and act as a sounding board for Dr. Dre to this day.  More recently a documentary covering D.O.C.'s life titled The DOC debuted at the Tribeca Film Festival last year with fans eagerly awaiting a wider release. This album is a must have for any Hip-Hop fan. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 It's Funky Enough\u003cbr\u003eA2 Mind Blowin' \u003cbr\u003eA3 Lend Me An Ear \u003cbr\u003eA4 Comm. 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The scene was set for a comeback, perhaps as a backlash to the perceived violence and misogyny of gangsta raps content. Leading the resurgence of alternative hip-hop were groups like Jurassic 5, and recent signees to Capitol Records; a West coast trio that had been building steam underground since the early 90s called Dilated Peoples.\u003cbr\u003e \u003cbr\u003e Anticipation was high for the release of the debut album from Evidence, Rakaa, and DJ Babu. (Of the influential turntablist collective Beat Junkies.) When The Platform arrived in May of 2000 it was met with critical and underground acclaim, as well as affording Dilated Peoples their first Billboard chartings. It featured a back-to-basics sound with a heavy debt to the old-school hip-hop ethos, the kind of sound that harkened back to the early days of legends like De La Soul \u0026amp; A Tribe Called Quest. Hits like No Retreat and The Platform were bolstered by Evidence \u0026amp; Rakaas subtle, abstract wit, and swift, adroit wordplay, while DJ Babu provided production chops and dextrous scratches. On The Platform the trio were joined by the likes of B-Real, Tha Alkoholiks, Everlast, Planet Asia, and many more providing guest vocals, while boasting guest production from The Alchemist \u0026amp; Kut Masta Kurt, among others.  This classic album is now back in print on standard black vinyl. \u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 So May I Introduce To You\u003cbr\u003eA2 The Platform\u003cbr\u003eA3 No Retreat\u003cbr\u003eA4 Guaranteed\u003cbr\u003eB1 Right On\u003cbr\u003eB2 The Main Event\u003cbr\u003eB3 Service\u003cbr\u003eB4 Ear Drums Pop\u003cbr\u003eC1 Years In The Making\u003cbr\u003eC2 Annihilation\u003cbr\u003eC3 Expanding Man\u003cbr\u003eC4 The Last Line Of Defense\u003cbr\u003eD1 Triple Optics\u003cbr\u003eD2 The Shape Of Things To Come\u003cbr\u003eD3 Work The Angles\u003cbr\u003eD4 Ear Drums Pop (Remix)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Dilated Peoples","offers":[{"title":"Default Title","offer_id":1733700517903,"sku":"ZZ-GET54091-LP","price":29.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/DilatedPeoples_ThePlatform.jpg?v=1588652900"},{"product_id":"21-over-lp","title":"21 \u0026 Over (LP)","description":"\u003cp\u003eThe Alkaholiks, like their LA peers Cypress Hill, had three important things going for them – lots of charisma, top-shelf rhyme skills, and a sound that perfectly straddled both East and West Coasts. Their deep funk and hard-as-nails beats and overall production put them in a perfect position to make an impression with fans, no matter where those fans were.\u003c\/p\u003e\n\u003cp\u003eThe group boasted a triple threat of MCs – E-Swift (who also produced), Tash and J-Ro – and they packed a strong punch with their 1993 debut, 21 \u0026amp; Over. It will surprise no one from names of the group and the album, but drinking takes up a lot of time here, including classic tracks – which doubled as album singles – like the rolling, ultra-funky “Make Room” and the hilarious “Only When I’m Drunk,” the latter fueled by the classic block-party break “Seven Minutes Of Funk.”\u003c\/p\u003e\n\u003cp\u003eOne lesser-known element of the group’s debut was the introduction of the now mythical producer and MC \u003cstrong\u003eMadlib\u003c\/strong\u003e, who produced the dusty “Mary Jane” and the ridiculously funky, churning “Turn Tha Party Out” (under the name \u003cstrong\u003eThe Loot Pack\u003c\/strong\u003e, with DJ Romes). Both tracks are dope as hell, and perfectly fit the group’s sound, showing that they also had an ear for up-and-coming talent.\u003c\/p\u003e\n\u003cp\u003eAn interesting old-school angle on the album is that several tracks feature LA legend King Tee on production and vocals (“Last Call”; “Soda Pop” and “Bullshit”). Tee was an early supporter of the trio who helped to oversee the album for Loud Records after they appeared on his banging 1992 single “Got It Bad Y’all.”\u003c\/p\u003e\n\u003cp\u003eThere’s not a bum track in the bunch here, and younger rap fans just getting hip to them will undoubtedly be asking where the Alkaholiks have been all their lives.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Likwit\u003cbr data-mce-fragment=\"1\"\u003eA2 Only When I'm Drunk\u003cbr data-mce-fragment=\"1\"\u003eA3 Last Call\u003cbr data-mce-fragment=\"1\"\u003eA4 Can't Tell Me Shit\u003cbr data-mce-fragment=\"1\"\u003eA5 Turn Tha Party Out\u003cbr data-mce-fragment=\"1\"\u003eB1 Bullshit\u003cbr data-mce-fragment=\"1\"\u003eB2 Soda Pop\u003cbr data-mce-fragment=\"1\"\u003eB3 Make Room\u003cbr data-mce-fragment=\"1\"\u003eB4 Mary Jane\u003cbr data-mce-fragment=\"1\"\u003eB5 Who Dem Niggas\u003c\/p\u003e","brand":"Tha Alkaholiks","offers":[{"title":"Default Title","offer_id":7026990481441,"sku":"ZZ-GET51325-LP","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/Alkaholiks_00.jpg?v=1567819684"},{"product_id":"spice-1-lp","title":"Spice 1 (LP)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e BACK ON WAX  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSpice 1 is an undisputed West Coast legend, who first hit the scene after the N.W.A. and – closer to home – Too $hort explosion of the late ‘80s. As history showed, he continued that bloodline with finesse and authority. His nasal flow is menacing and strong, and fans have been consistently captivated by his ‘hood tales since his self-titled debut in 1992.\u003c\/p\u003e\n\u003cp\u003eIf you want thematic range with your MCs, Spice isn’t that dude – he is all about crime tales and the perils of ghetto life. And he attacks that storytelling sweet spot with each new cut. Spice 1 boasted four singles by the time it was all said and done, and breezed to Gold status on the strength of cuts like the catchy “East Bay Gangster”; the heartfelt tales and truths of “Welcome To The Ghetto”; and the thick, grooving “In My Neighborhood.” He even produced the alcohol-themed “187 Proof,” another of the album’s singles, and the hands-down cleverest vocal outing on the LP.\u003c\/p\u003e\n\u003cp\u003eSonically, the backdrops on Spice 1 range from plunky, keyboard-bassline funk to deeper, fuzzy ‘70s samples – and he sounds strong on top of both. “Break Yourself” is fueled with an electro-funk drive; “1-800 Spice” brings reggae flavor; and “Peace To My Nine” gets chunkier, with a well-placed P-Funk “One Nation Under A Groove” sample.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 In My Neighborhood \u003cbr\u003eA2 187 Proof \u003cbr\u003eA3 East Bay Gangster (Reggae) \u003cbr\u003eA4 Money Gone\u003cbr\u003eA5 1-800-Spice\u003cbr\u003eA6 Peace To My Nine \u003cbr\u003eA7 Young Nigga \u003cbr\u003eB1 Welcome To The Ghetto \u003cbr\u003eB2 Fucked In The Game \u003cbr\u003eB3 Money Or Murder \u003cbr\u003eB4 City Streets \u003cbr\u003eB5 1-900-Spice \u003cbr\u003eB6 Break Yourself\u003cbr\u003eB7 187 Pure\u003c\/p\u003e","brand":"Spice 1","offers":[{"title":"Default Title","offer_id":7037920411681,"sku":"ZZ-GET51284-LP","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/SPICE1_00.jpg?v=1567820047"},{"product_id":"later-that-day-2xlp","title":"Later That Day (2xLP)","description":"A crucial founding member of the Northern Cali-birthed Solesides \/ Quannum collective – which included DJ Shadow and Blackalicious, among others – and one half of the groundbreaking Latyrx duo (with Lateef The Truthspeaker), Lyrics Born opened a lot of ears and minds with his 2003 solo debut, Later That Day….\u003cbr\u003e\u003cbr\u003eOn this very open-minded and chiefly self-produced long player, Lyrics Born and his crew (including Joyo Velarde, on vocals; guitarist Tommy Guerrero and Germany’s funk masters Poets of Rhythm) bring it from the funk side, boasting a warm soul stew instead of colder drum machine-based beats and chopped samples.\u003cbr\u003e\u003cbr\u003eAs shown since his earliest days, the incredibly versatile Lyrics Born mixes his flow up depending on the track, from tongue-twistingly fast to conversationally mundane, and concepts are usually at the forefront – “Cold Call” is an amusing take on telemarketers, featuring Gift of Gab; “Before And After” is about friends growing apart; “Bad Dreams” is a groovy apocalyptic shaker. The infectious “Callin’ Out” rides the party train and “Stop Complaining” timeshares between funny and serious. “Do That There” features DJ Cut Chemist with liquid cuts that work around LB’s verbal floor routine.\u003cbr\u003e\u003cbr\u003eAnd even after all of the other musical fireworks, the album’s crescendo most assuredly comes on track eleven, “The Last Trumpet”: operatically dramatic and powerful, with Lyrics Born and Latyrx-mate Lateef trading verses like “the only action \/ we can profit from \/ is movement towards \/ the positive \/ progressive thought \/ that’s rooted up \/ in consciousness” at breakneck pace.\u003cbr\u003e\u003cbr\u003ePresented for its 15th Anniversary as a 2-LP set, on colored vinyl, housed in a gatefold jacket with in-depth liner notes by renowned author and journalist Jeff Chang (who also helped found the Solesides movement in the early ‘90s), plus a 11”x17” poster of the amazing cover art, this is a perfect way to re-introduce this classic to a new era of fans – present and future.  It also has a full-album download card which includes advance bonus track \"When I Get My Check\" feat Gift of Gab \u0026amp; Chali 2na, from LB's forthcoming new album 'Quite A Life'.","brand":"Lyrics Born","offers":[{"title":"Default Title","offer_id":7038180098081,"sku":"ZZ-RP03-LP","price":30.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/products\/LyricsBorn_LaterthatDay.jpg?v=1588656825"},{"product_id":"the-muzappers-mixes-2xlp","title":"The Muzapper's Mixes (2xLP)","description":"\u003cbr\u003e\n\u003ch3 style=\"text-align: center;\"\u003e\u003cstrong\u003ePRESSED ON DOUBLE-COLORED VINYL\u003cbr\u003e(DISC ONE IN \u003cspan style=\"color: #9900ff;\"\u003ePURPLE\u003c\/span\u003e \/ DISC TWO IN \u003cspan style=\"color: #f1c232;\"\u003eYELLOW\u003c\/span\u003e)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eBonus cuts feature production by DJ Shadow, DJ Z Trip, and The Herbaliser.\u003c\/p\u003e\n\u003cp\u003eIncludes DL card for the entire album, plus a brand new track from Lyrics Born’s upcoming album ‘Quite A Life’\u003c\/p\u003e\n\u003cp\u003eMore than 20 years after its initial release, Latyrx “The Muzapper Mixes” has stood the test of time and with this reissue is sure to enter the pantheon of certified Bay Area classics.\u003c\/p\u003e\n\u003cp\u003eLatyrx, the duo consisting of lyricists Lyrics Born and Lateef The Truthspeaker initially partnered while at UC Davis in the early 90s driven by brothers-in-beats-and-rhymes Blackalicious and DJ Shadow. This was the earliest incarnation of the Solesides collective. Partially by design, and partially out of necessity, Latyrx—and the Solesides crew as a whole—became trailblazers.\u003c\/p\u003e\n\u003cp\u003eLyrics Born remembers, “We really wanted to explore. New styles, new subject matter, new textures, new vocabulary. It came down to even wanting to do words in the English language that you had never heard in a rap song before. 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Initially, the titular \"Lench Mob\" of the track namesake referred to Ice Cube as well as the other participating rappers, but J-Dee, Shorty, and T-Bone would adopt the name for their own in time. Their appearance on the Ice Cube track and interludes on the album would earn the trio critical interest, (as well as shout-outs on Ice Cube's 1991 follow-up \u003cem\u003eDeath Certificate\u003c\/em\u003e) and generate palpable anticipation for a studio album of their own.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGuerillas In Tha Mist\u003c\/em\u003e, their 1992 debut record, was recorded in the wake of the Rodney King riots, taking its name from infamous comments made during the riots. The record was uncompromising and confrontational in its depictions of urban decay and an unjust system wreaking havoc on an economically disadvantaged Black population. 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Now available on a limited edition Orange and Black vinyl, this ten track instant-classic features guest appearances from Curren$y, Dom Kennedy, Jay Worthy, Herm Lewis and International Jones (appears on vinyl edition only).  Critics and fans alike agree that “Keep Going” represents some of June and Fraud’s best work to date. Laced with silky smooth production from Harry Fraud, the musical chemistry between the Bay Area rapper and the Brooklyn-raised producer is front and center from the first verse on “Keep Going (Intro)\" to the last bar on “Let Me Sing to You”. Numbers!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\"The production on this album is easily in the top tier of this year's music so far but don't get it twisted: Larry June definitely comes correct. His syrupy flow and blink-and-you-miss it wordplay are perfectly in sync with Fraud's yacht cruising beats. The music sounds luxurious without being over-produced.\" \u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e--from \u003c\/em\u003ewww.hotnewhiphop.com\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline; color: #000000;\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003eA1. Keep Going Intro\u003cbr data-mce-fragment=\"1\"\u003eA2. Organic Miracles\u003cbr data-mce-fragment=\"1\"\u003eA3. Sunday Morning Drive (Ft. Curren$y \u0026amp; Dom Kennedy)\u003cbr data-mce-fragment=\"1\"\u003eA4. I Like You\u003cbr data-mce-fragment=\"1\"\u003eA5. Orange Juice in Vancouver (Ft. Jay Worthy)\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eB1. Expensive Couches\u003cbr data-mce-fragment=\"1\"\u003eB2. Let’s Go to New Orleans (Ft. 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This ten-track instant-classic features guest appearances from Curren$y, Dom Kennedy, Jay Worthy, Herm Lewis and International Jones (appears on vinyl edition only).  Critics and fans alike agree that “Keep Going” represents some of June and Fraud’s best work to date. Laced with silky smooth production from Harry Fraud, the musical chemistry between the Bay Area rapper and the Brooklyn-raised producer is front and center from the first verse on “Keep Going (Intro)\" to the last bar on “Let Me Sing to You”. Numbers!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cem\u003e\"The production on this album is easily in the top tier of this year's music so far but don't get it twisted: Larry June definitely comes correct. His syrupy flow and blink-and-you-miss it wordplay are perfectly in sync with Fraud's yacht cruising beats. 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Los Angeles's South Central Cartel were pioneers in the West Coast gangsta rap genre, in the same league as \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDr. Dre\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eNWA\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eEazy E\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eIce Cube\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCompton's Most Wanted\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eAbove the Law\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDa Lench Mob\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMac Dre\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eKurupt\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e. South Central Cartel (S.C.C.) was one of the first West Coast groups to gain national popularity in the immediate wake of groundbreaking and controversial releases by NWA and Eazy-E, and they're still etched in hip hop's collective memory for pushing the envelope with their unapologetic embrace of gang affiliation, automatic weapons, violent crime, and prison and car culture. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eSouth Central Madness\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e is their debut album, originally released on Pump\/Quality Records, with subsequent albums released on Def Jam West in a deal between their G.W.K. (Gangsters Wit Knowledge) imprint and the West Coast division of \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRick Rubin\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eRussell Simmons\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's label. Over a now-classic bed of sample sources (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eDelfonics\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eThe Temptations\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBarry White\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eFunkadelic\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, more), with lyrical sample drops of their hip-hop contemporaries (\u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMC Breed\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eLL Cool J\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, Ice Cube, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ePublic Enemy\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, NWA, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eGeto Boys\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eBig Daddy Kane\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e), lyricists \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHavoc\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eHavik\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eProdeje\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e, and \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eYoung Prodeje\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e along with singer \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eL.V.\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e (later featured on \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eCoolio\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \"Gangsta's Paradise\") deliver a solid bridge from hip-hop's established East Coast chart-dominating status quo toward the West Coast-centric \"G-Funk era\", Crips vs. Bloods subtexts and the definition of what it meant to be hard. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eVideos for the singles \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eU Gotta Deal Wit Dis (Gangsta Luv)\/Ya Getz Clowned\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1991) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePapa Was A Rolling Stone\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e (1992) feature up-tempo Havoc and Prodeje in black baseball caps, shades, and curls that Eazy-E should have trademarked, riding and further extending the ominous Compton MC legacy. \"Ya Getz Clowned\" actually samples MC Breed's \"Ain't No Future In Yo' Frontin'\", released just months before, tightening a food chain of club\/radio DJ\/producer sample\/remix culture that was evolving fast in 1991. An interesting and maybe still unresolved footnote is that an unrelated up-and-coming duo from Queensbridge named \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003eMobb Deep\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e with members Havoc and Prodigy who would release their debut \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eJuvenile Hell\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\"\u003e in 1993.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e01. County Bluz\u003cbr\u003e02. Say Goodbye To The Badd Guyz\u003cbr\u003e03. Ya Want Sum A Dis\u003cbr\u003e04. Conspiracy\u003cbr\u003e05. Neighborhood Jacka\u003cbr\u003e06. U Gotta Deal Wit Dis (Gangsta Luv)\u003cbr\u003e07. I Get My Roll On\u003cbr\u003e08. Ya Getz Clowned\u003cbr\u003e09. Hookaz\u003cbr\u003e10. Pops Was A Rolla\u003cbr\u003e11. Think'n Bout My Brotha\u003cbr\u003e12. 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Thanks to a significant online presence and constant touring, Hiero gained a healthy following among rap fans seeking an alternative to the increasingly commercialized state of the genre.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1    Souls Of Mischief–    Souls Of Mischief    \u003cbr\u003eA2    Casual \u0026amp; Pep Love–    It Gets No Better    \u003cbr\u003eA3    Del–    What Do You Say?    \u003cbr\u003eA4    Casual–    Gotta Lotta    \u003cbr\u003eA5    Pep Love \u0026amp; Jay-Biz–    Every Day Of The Week    \u003cbr\u003eB1    Tajai \u0026amp; Extra Prolific–    Let It Ride    \u003cbr\u003eB2    Souls Of Mischief–    Step To My Girl    \u003cbr\u003eB3    Casual–    Where They At?   \u003cbr\u003eB4    Del–    Nowadays    \u003cbr\u003eB5    Pep Love \u0026amp; Jay-Biz–    Reckless\/Hush\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Hieroglyphics","offers":[{"title":"Default Title","offer_id":38102779035844,"sku":"HIERO113-LP","price":25.98,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1741\/5543\/files\/hierovol1.png?v=1726539690"},{"product_id":"of-life-is-coloredlp","title":"Life is...Too $hort (Colored LP)","description":"\u003cp style=\"text-align: center;\"\u003e\u003cspan\u003e\u003cstrong\u003ePRESSED ON \u003cspan style=\"color: #3b92f1;\"\u003eBLUE SWIRL\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cstrong\u003eVINYL\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA pioneer of hardcore rap music, one cant talk about the West Coast hip-hop scene without mentioning Todd Anthony Shaw, better known by the stage name Too $hort. A veteran of the genre, Too $horts discography is one filled with tracks about pimping, drug use, promiscuity, and unapologetically explicit language. (His 1985 record Don't Stop Rappin is notoriously one of the first to use the word bitch on a track.) He's released nearly 20 albums over the course of his 35-year career and collaborated with artists as varied as Jay-Z, UGK, 50 Cent, Lil Jon, he's even been one of the few musicians to work with both 2Pac and The Notorious B.I.G., in the middle of their infamous feud.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e Too $horts works were largely a cult phenomenon during the early years of his career, but 1988s Life Is... broke him into a mainstream audience, and gave him his most critically acclaimed release. (Not to mention his highest-selling to date.) The album stood out in its field, at a time when re-sampling old-school funk and R\u0026amp;B singles was the name of the game, Too $hort instead opted to take established riffs and hooks from those singles and re-create them with studio musicians and drum machines. The album cemented Too $horts status among MCs, and the title track itself would even be re-sampled in tracks by rappers UGK, hip-hop-influenced rock group Sublime, and even Too $hort himself on later singles.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp style=\"font-weight: 400;\"\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eSIDE A\u003cbr\u003e1. Life Is…Too $hort\u003cbr\u003e2. Rhymes\u003cbr\u003e3. I Ain’t Trippin’\u003cbr\u003e4. Nobody Does It Better\u003cbr\u003e5. Oakland\u003cbr\u003e\u003cbr\u003eSIDE B\u003cbr\u003e6. Don’t Fight The Feelin’\u003cbr\u003e7. CussWords\u003cbr\u003e8. City Of Dope\u003cbr\u003e9. 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Led by B-Real with his nasal, singsong delivery, and Sen Dog to play the perfect hypeman, Cypress’ debut fueled tales of revenge, revolution, recreational drug use, gangbanging, and cultural pride. Like Public Enemy before them, the production was also a key factor in what made this debut so groundbreaking. DJ Muggs was able to craft a blueprint that would change Hip Hop production with his innovative stoned-out beats. Records like \"How I Could Just Kill a Man\", \"Pigs\", \"Stoned is the Way of the Walk\" and \"Hand on the Pump\" made this album an instant classic. Since its release, the album has won acclaim as one of \u003cem\u003eRolling Stone's Essential Recordings of the 90s\u003c\/em\u003e and \u003cem\u003eTop 100 Best Rap Albums\u003c\/em\u003e by \u003cem\u003eThe Source\u003c\/em\u003e \u003cem\u003eMagazine\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eJournalist and author Chris Faraone highlights the group's relationship in the reissue's liner notes saying, \"[By the late 80s] the undisputed Cypress unit finally formed. B and Sen realized that their diametric styles - the latter's deep wrangle, the formers inimitable high notes - complemented one another righteously. By then Muggs had bangers in the bag, as well as industry experience from a jaunt with the New York duo 7A3. B and Sen waited while Muggs messed with 7A3, and in that time began to build the blueprint for their raucous and weeded no-holds-barred style. Besides getting schooled on industry pitfalls, Muggs had also grown into hip-hop's most formidable young producer, while straddling the bi-coastal gap.\"\u003cbr\u003e\u003cbr\u003eFaraone was able to dive in deep with the band for the liner notes, hearing story after story, including the particularly interesting tale of their unlikely 91 radio hit, \"How I Could Just Kill A Man\". In the B Side wins again story, the group recalls receiving resistance from the label in regards to which single should hit radio first. Initially, the label thought \"How I Could Just Kill A Man\" was too risky, and even though the single initially \"The Phuncky Feel One\", one of the album's strongest cuts, as the A-Side, college and commercial mix-show radio couldn't resist the dusted, heavy groove of Kill A Man. The song – which included a catchy, LA drive-by-inspired chorus – ended up as an unlikely, but powerful double A-sided single that even topped the Billboard Rap charts. 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